Light and shade and a Singing Ringing Tree

Once upon a time, in my compact and bijou suburban garden, I planted a tree.

Amelanchier 2014My amelanchier is beautiful, but shy. She blossoms in early April in an incredible gown of a million tiny, delicate white flowers. She parades her splendour for just 3 or 4 days before donning a summer cloak of bronze-green leaves – pretty enough, but no match for the pure abundance of the spring blossom. In the autumn she’ll come into her own again in a spray of blood-red berries, and leaves which turn shades of fiery red, orange and golden umber.

My shy amelanchier boasts a little non-natural adornment. A set of metal wind chimes tinkles almost imperceptibly amidst her leaves and three strands of tiny mirrors drip from her branches. In the evening as they twirl in the setting sun, they cast a shower of light, spinning circles around and around the garden like fireflies or fairies. Even after years, I’m still transfixed by what I have named my Singing Ringing Tree.

My Singing Ringing Tree bears little resemblance to its namesake. Those of you who grew up in the UK in the 1960’s may remember a gruesome Central European fairytale which appeared on our TV screens first in 1964, and popped up once or twice more over the years. ‘The Singing Ringing Tree’ (or ‘Das singende, klingende Bäumchen’) was a product of secret, scary East Germany; a story in three parts in the style of the Brothers Grimm. It was without a doubt, the grimmest, creepiest and above all most disturbing fairy story I’ve ever encountered. And judging by what other people have blogged about this nightmarish narrative, I wasn’t the only one to be utterly terrified at tea-time.

If you’re interested, Wikipedia provides a plot summary here. The story revolves around a cruel and haughty princess, a prince who turns into a bear, a giant fish and – most disturbing of all, an evil dwarf. Yes, the 60’s had little shame when it came to negative stereotyping.

Singing Ringing Tree DwarfCentral to the story is an enchanted tree guarded by the evil dwarf, which will only sing and ring once the princess falls in love with the prince. But all is not well in this dystopian fairytale land. The dwarf cruelly keeps the prince and princess apart with devilish spells and tricks; and the path of true love lies dark and cold until the princess learns to mend her selfish ways.

Old-style fairytales have dark hearts and evil characters. Children live in poverty and get lost in woods; they are lied to and deceived, routinely starved and poisoned – or fattened up to eat. Beautiful girls are abused, locked away in dungeons and towers and forced to sleep for hundreds of years. It is a world beset with nightmares, monsters, evil stepmothers, witches, trolls and goblins. And whilst there are life-lessons within their lines and they usually have a happily ever after ending, fairytales are awash with tragedy and drenched in evil. There is much to unsettle in fairytale land.

But children enjoy being unsettled by stories. In the comfort of their beds, before they’re safely tucked-in for the night, they’re gripped by tales which drip with malevolence – so long as they end with that happily ever after moment allowing a contented slumber and sweet dreams.

Fortunately, as adults we still enjoy being chilled and disturbed from within the pages of a good story. In books, we meet the sort of characters we might hope never to meet in real life. Our nerves are jangled and our emotions and loyalties toyed with. Sometimes we don’t know what’s going on; sometimes we think we do, but then realise we don’t. We are misdirected and misled. We follow trails of breadcrumbs scattered by the author, uncertain what lies at the end of the journey, but excited by a discomforting ride.

I love reading stories like this – and now, I love writing them too. Dark tales by the likes of Joanne Harris, Gillian Flynn, Erin Kelly, S J Watson and Carol Topolski inspire me. I try to imagine my way into sick and damaged psyches and I won’t be burdened to provide a neatly sewn-up resolution or a happily ever after ending.

This summer, I’ll sit under the shade of my beautiful Singing Ringing Tree, as it tinkles gently and showers its dancing light across my garden. But as I push on with Novel Number Two, my thoughts will lean to the mood of the original Singing Ringing Tree and all its perversity, darkness and dread.