The Fat Bird – an atypical protagonist

Fat BirdI needed a strong central female character for Singled Out; a woman in her early to mid-forties, perceptive, bold and shrewd. When it came to physical appearance and with one eye on Hollywood (see how optimistic I can be!) I could have gone for an Angelina Jolie, a Julia Roberts or a Gillian Anderson type – lithe, slender, unsettlingly striking.

But I’ve gone for a fat bird. Yes, my protagonist – early to mid-forties, perceptive, bold and shrewd – is unapologetically overweight.

But let’s be clear, this isn’t your stereotypical one-dimensional fat bird. You know the cliché; the friendless, clumsy lump, drifting round in a cloud of body odour, stuck in a dull job and spending her evenings in front of the TV stuffing her face with donuts and chocolate whilst fantasising about an imaginary boyfriend. If she’s in a novel or a TV series, she’s the one that’ll get murdered, her corpse lying undiscovered in a secluded attic flat for months until her bodily fluids seep through the floorboards and attract attention. Or she’s the deranged axe wielding perpetrator, desperate for affection and driven to heinous crimes by her loveless, empty life. So far, I’m afraid, so very predictable.

That’s not my girl. Not even a little bit.

In the great tradition of novice writers I’m writing what I know – at least in part – because I’m overweight too. I’m a lifelong yo-yo dieter who has spun into middle-age at the wrong end of the string. Depending on your perspective, I’m fat, plump, obese, tubby, lardy, big, broad-beamed, heavy, chubby, chunky, stout, podgy, ample, fleshy, well-rounded, plus-size, large, buxom, curvaceous, womanly, cuddly, curvy, rubenesque, bountiful, abundant, voluptuous and any number of other flattering and not-so flattering descriptors.

Apparently, novice writers are wont to base a main character on themselves. But I’m sorry to disappoint you; whilst I wouldn’t mind being my female protagonist, and whilst she and I share one or two other characteristics, I’m really not her. I understand the physicality and the occasional self-confidence issues of someone who carries extra pounds and I thought it would add a non-stereotypical dimension to my character – and that’s more or less where it ends. I’d love to have her boldness, and her hair, come to that. But she has frailties and failings that…  Well, that would be telling, wouldn’t it? Anyway, they are frailties and failings I like to think I don’t possess. I have others, but that’s not what we’re here to talk about.

When it comes to my abundant, warm yet troubled female lead, I’ve played it deliberately vague on the question of size. That’s because what’s fat to one, is curvaceous to another, what’s blubbery and revolting to one is alluring and magnificent to another. My readers get little – actually nothing – in the way of specifics. No height-to-weight ratio, no Body Mass Index, no speak-your-weight scales, no dress size – nothing… um… concrete.

Aspects of her physicality reveal themselves here and there but the biggest (sorry) clues the reader will get are from the other characters, who respond to her according to their own perspectives, prejudices – and desires. She could be a size 16 or a size 26 for all the reader knows, and I imagine each reader will see her differently.

As to how I see her – I’m not telling. If you encounter this woman within the pages of my debut novel, you’ll need to imagine her yourself; and the persona you conjure up will be informed by your own perceptions and preconceptions, alongside all the other clues to her character, spirit and style.

I just hope I’ve done a good job of bringing her to life.

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